Posts tagged "theory fiction"

Para-Academia & Theory Fiction | Session 1: Nicola Masciandaro on Commentary

Thursday, May 19, 2011 
Observatory at Proteus Gowanus, 543 Union Street, Brooklyn 
Presented by the Hollow Earth Society and The Public School New York

Blogs, Speculative Medievalisms, Collapse, Cyclonopedia, Lovecraft, print-on-demand: the idea of “para-academia” has arisen in recent years as an addendum and an ultimatum to established disciplines and practices.

The Public School New York will explore these emerging ideas and modes of expression through a series of discussions and writing workshops.

Questioning the concept of the ‘marginal’, this session will consider commentary as a para-academic and theory-fictional mode of thinking and writing. Specific topics to be discussed include geometrics of commentarial thought, contemplation vs. speculation, hidden writing and acontextual scholarship, philological eros, and destructive reading. A theoretical introduction will be followed by open discussion of the texts and the futures of commentary.

Nicola Masciandaro is Associate Professor of English at Brooklyn College and a specialist in medieval literature. He is founding editor of Glossator: Practice and Theory of the Commentary and co-director of the open-access press Punctum Books. For more information, see The Whim.

For related texts and more information, go to http://nyc.thepublicschool.org/class/3268

Audio from the second session in the series featuring Wythe Marschall on Gnostic Vertigo in Bataille and Lovecraft can be found here.

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Para-Academia & Theory Fiction | Session 2: Wythe Marschall on Gnostic Vertigo in Bataille and Lovecraft (Audio is part one of two)

Tuesday, June 21, 2011
Observatory at Proteus Gowanus, 543 Union Street, Brooklyn 
Presented by the Hollow Earth Society and The Public School New York

The para is the “alongside,” that which comments on the official or normative. While academics debate the finer points of Shakespeare and Kant, para-academics aggregate around shadow-commentators whose works do not so much categorize (striate) and enlighten (bring light into) difficult terrain, but produce that terrain, creating obscure spaces and nebulous discourses that are immune to traditional academic approaches.

Blogs, speculative medievalisms, Cyclonopedia, Charles Fort, teratology, print-on-demand—these and other tentacles of a polycephalic (many-headed) para-academia have entwined to produce an addendum and, finally, an ultimatum to established disciplines and practices.

The second session of the Para-Academia & Theory Fiction series considered links between two highly disparate authors whose work during the 1920s and 30s concerned, among other things, the unspeakable, the limits of philosophy, heterology (study of extreme “Otherness”), and cosmic terror.

Though they were on different planets politically, French anti-philosopher Georges Bataille and American horror luminary Howard Phillips Lovecraft shared a common concern for the foundation of a new, materialist mythology that can see beyond Reason, reconnect man to the world of things (and shit, and horrible creatures), and speak to the unutterable terror of being alive—of being trapped on a ball of mud circling a much larger ball of fire hanging in a void. (The realization of this terror produces “gnostic vertigo.”)

Wythe Marschall is a writer and artist. He works in advertising during the week and teaches writing at Brooklyn College on the weekend. With illustrator Ethan Gould, Wythe is the founder of the Hollow Earth Society, a pacifist army, conceptual art movement, and para-academic educational network.

For related texts and more information, go to: http://nyc.thepublicschool.org/class/3448

Audio from the second part of the class can be found here.

Audio from the first session in the series featuring Nicola Masciandaro on Commentary can be found here.

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Para-Academia & Theory Fiction | Session 2: Wythe Marschall on Gnostic Vertigo in Bataille and Lovecraft (Audio is part two of two)

Tuesday, June 21, 2011
Observatory at Proteus Gowanus, 543 Union Street, Brooklyn 
Presented by the Hollow Earth Society and The Public School New York

Information about Wythe and this class can be found in this related post.

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The Weird: a discussion of fiction and politics with China Miéville
March 2, 2011, Kingston’s London Graduate School and School of Humanities
via Backdoor Broadcasting Company

At the start of the twentieth century, H. P. Lovecraft summed up the encounter between horror and strangeness as ‘pictures of shattered natural laws’ and encounters with ‘cosmic outsideness’. At the start of the 21st century, the weird has alerted us, once again, to the persistence of this ‘mood or feeling’. The new weird—generically indeterminate as it is—offers a potent trope linking pasts and presents and opening new terrains for writing creatively and differently even though its political, philosophical and cultural ramifications may be less easy to fathom. This talk with China Miéville and the Faculty of Kingston’s London Graduate School and School of Humanities seeks to revisit the idea of the weird in fiction and politics. The session will betake the form of an open discussion where contributions from faculty and audience will consider the relevance of the idea of the weird to various fields of study in the humanities.

Responses to this talk:

That’s Weird by Fabio Cunctator via hypertiling
Weirdos: A Response by Ben Woodard via Naught Thought

China Miéville links:

rejectamentalist manifesto: China Miéville’s waste books
2010 Interview with China Miéville on the visual arts via An Iguanodon Studies

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Notes on Writing Weird Fiction by H. P. Lovecraft

My reason for writing stories is to give myself the satisfaction of visualising more clearly and detailedly and stably the vague, elusive, fragmentary impressions of wonder, beauty, and adventurous expectancy which are conveyed to me by certain sights (scenic, architectural, atmospheric, etc.), ideas, occurrences, and images encountered in art and literature. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve, momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which for ever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis. These stories frequently emphasise the element of horror because fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions. Horror and the unknown or the strange are always closely connected, so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or “outsideness” without laying stress on the emotion of fear.

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Para-Academia & Theory Fiction | Session 4: Ben Woodard on Complicitous Continuums: The Horrors of the Cosmicist Earth

Saturday, September 17, 2011
Observatory at Proteus Gowanus, 543 Union Street, Brooklyn 
Presented by the Hollow Earth Society and The Public School New York

This course explores the Geo-philosophical earth as theory-fictional node for explaining a cosmicism/universalism in which the outside is continuously advancing upon all purportedly firm grounds and solid bodies. Weirdness, as in the weird of weird fiction and the darkness of dark romanticism and the crumble of the gothic, is explored as the intrusion of the non-local upon the local, arguing that all stability is in fact subject to continuous degradation, shift, and collapse. 

Ben Woodard is a PhD candidate at the Centre for the Study of Theory and Criticism at the University of Western Ontario. His work focuses on the concept of Nature in German Idealism, philosophies of becoming, contemporary philosophy, as well as in Weird and Speculative fiction. In addition to On an Ungrounded Earth, his book Slime Dynamics: Generation, Mutation, and the Creep of Life is forthcoming from Zer0 books. He blogs at Speculative Heresy and Naught Thought.

For more information, including the related readings and writing assignment, go to: http://nyc.thepublicschool.org/class/3562

Audio recordings of the entire series can be found here.

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