Posts tagged "Horror"

Para-Academia & Theory Fiction | Session 2: Wythe Marschall on Gnostic Vertigo in Bataille and Lovecraft (Audio is part one of two)

Tuesday, June 21, 2011
Observatory at Proteus Gowanus, 543 Union Street, Brooklyn 
Presented by the Hollow Earth Society and The Public School New York

The para is the “alongside,” that which comments on the official or normative. While academics debate the finer points of Shakespeare and Kant, para-academics aggregate around shadow-commentators whose works do not so much categorize (striate) and enlighten (bring light into) difficult terrain, but produce that terrain, creating obscure spaces and nebulous discourses that are immune to traditional academic approaches.

Blogs, speculative medievalisms, Cyclonopedia, Charles Fort, teratology, print-on-demand—these and other tentacles of a polycephalic (many-headed) para-academia have entwined to produce an addendum and, finally, an ultimatum to established disciplines and practices.

The second session of the Para-Academia & Theory Fiction series considered links between two highly disparate authors whose work during the 1920s and 30s concerned, among other things, the unspeakable, the limits of philosophy, heterology (study of extreme “Otherness”), and cosmic terror.

Though they were on different planets politically, French anti-philosopher Georges Bataille and American horror luminary Howard Phillips Lovecraft shared a common concern for the foundation of a new, materialist mythology that can see beyond Reason, reconnect man to the world of things (and shit, and horrible creatures), and speak to the unutterable terror of being alive—of being trapped on a ball of mud circling a much larger ball of fire hanging in a void. (The realization of this terror produces “gnostic vertigo.”)

Wythe Marschall is a writer and artist. He works in advertising during the week and teaches writing at Brooklyn College on the weekend. With illustrator Ethan Gould, Wythe is the founder of the Hollow Earth Society, a pacifist army, conceptual art movement, and para-academic educational network.

For related texts and more information, go to: http://nyc.thepublicschool.org/class/3448

Audio from the second part of the class can be found here.

Audio from the first session in the series featuring Nicola Masciandaro on Commentary can be found here.

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Para-Academia & Theory Fiction | Session 2: Wythe Marschall on Gnostic Vertigo in Bataille and Lovecraft (Audio is part two of two)

Tuesday, June 21, 2011
Observatory at Proteus Gowanus, 543 Union Street, Brooklyn 
Presented by the Hollow Earth Society and The Public School New York

Information about Wythe and this class can be found in this related post.

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The Weird: a discussion of fiction and politics with China Miéville
March 2, 2011, Kingston’s London Graduate School and School of Humanities
via Backdoor Broadcasting Company

At the start of the twentieth century, H. P. Lovecraft summed up the encounter between horror and strangeness as ‘pictures of shattered natural laws’ and encounters with ‘cosmic outsideness’. At the start of the 21st century, the weird has alerted us, once again, to the persistence of this ‘mood or feeling’. The new weird—generically indeterminate as it is—offers a potent trope linking pasts and presents and opening new terrains for writing creatively and differently even though its political, philosophical and cultural ramifications may be less easy to fathom. This talk with China Miéville and the Faculty of Kingston’s London Graduate School and School of Humanities seeks to revisit the idea of the weird in fiction and politics. The session will betake the form of an open discussion where contributions from faculty and audience will consider the relevance of the idea of the weird to various fields of study in the humanities.

Responses to this talk:

That’s Weird by Fabio Cunctator via hypertiling
Weirdos: A Response by Ben Woodard via Naught Thought

China Miéville links:

rejectamentalist manifesto: China Miéville’s waste books
2010 Interview with China Miéville on the visual arts via An Iguanodon Studies

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Collapse Vol. IV: Concept Horror

From Internet Archive:

Collapse IV features a series of investigations by philosophers, writers and artists into Concept Horror. Contributors address the existential, aesthetic, theological and political dimensions of horror, interrogate its peculiar affinity with philosophical thought, and uncover the horrors that may lie in wait for those who pursue rational thought beyond the bounds of the reasonable. Contributors to this issue include Thomas Ligotti, China Miéville, Reza Negarestani, Quentin Meillassoux, Jake and Dinos Chapman, et al.

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